Howard Deutch returns to this list, directing with a twinkle in the camera’s lens that makes a high school gym feel like Neverland. Through this, a love triangle emerges between Andie, her best friend Duckie ( Jon Cryer), and the preppy Blane ( Andrew McCarthy).Īn old-fashioned story about star-crossed lovers, Pretty in Pink's greatest choice is capturing fairy tale beauty. An adorable piece, the film follows Molly Ringwald in full hipster mode as her character, Andie, navigates the divide between her working-class classmates and the snobbier rich kids. While Hughes did not direct Pretty in Pink, it is no exception (outside of James Spader's entitled brat of a character that doesn't like hearing the word "no" being a personification of rape culture). STARCROSSED 1985 FULL MOVIE HOW TOShe's Having a Baby showcases the best of Hughes' musings on family, and how to find fulfillment in being a part of one rather than in rebellion against it.įrom here on out, Hughes has undeniable classics great pictures that showcase everything that makes him appealing with a minimum number of faults. The first and last acts, culminating in a married life montage set to Kate Bush, are startlingly real and honest. But there’s some real truth here that resonates well. This portrait of domestic life may come across cheesy to some, as the eye-rolling Election-esque fantasy sequences spoil dramatic scenes while less runtime is spent establishing the core romance. STARCROSSED 1985 FULL MOVIE MOVIE“Yeah, you’ll be happy,” Davis announces, “You just won’t know it, that’s all.”įrom this moment on, the movie ties itself to that perfect promise, that description of what even good marriages can be in their earliest years. Before his wedding, Jake pleads with his best friend, Davis ( Alec Baldwin in one of his best suits and performances ever), to tell him if he thinks the couple will be happy in their life together. If Kevin McCallister grew into Ferris Bueller, his next stop is Kevin Bacon’s character, Jake, before landing as Chevy Chase’s vacation-weary dad. In its best moments, Sixteen Candles reminds its pimple-picking viewers that growing up is a magical feeling, and it stands apart from his other work by embracing maturity with open arms rather than highlighting the sadness of age.Ī late period underrated gem in John Hughes’ filmography, She’s Having a Baby takes a look at what happens to a Brat Packian when they marry their high school love and have to grow into a parent of their own. All with a classical directing style that keeps his films as timeless as they are frozen in the 80s. Here he develops the quotable one-liners, sweet love story, thoughts on growing up, and bonkers humor (including many musical cues from The Twilight Zone and other media). Along the way, her interactions with The Geek ( Anthony Michael Hall) hint at the themes Hughes would crystalize later in his filmography of acceptance among teen social groups.įrom Hughes' first time in the director’s chair, it is already immediately obvious who the director is going to be as a filmmaker. The plot is thin but eventful when Samantha's parents forget her sixteenth birthday, she is determined to have a good time and get the sweet sixteen life of her dreams despite them. With incredible sensitivity, she comes across as a well-rounded portrayal of a teenager, working through the ills of suburban coming of age. Yet Samantha, Molly Ringwald’s first John Hughes character, is the engine on this scratched and dented Rolls-Royce. Modern viewers’ discussion of Sixteen Candlesmostly limits itself to making sure that anyone hearing it knows the viewer noticed all of its problematic elements.
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